The edit happens on the phone

Nothing here touches your recording. Every edit is a description applied when you export.

Front camera

Rear camera

One recording, one file. The camera changes at the marker; the take does not.

Non-destructive, and why that matters

Every cut, trim, colour change and caption is stored as a description of what to do, not as a change to the file. The recording you made is the recording that stays on the device.

That means a cut can be switched off again a week later, an export can be redone at a different shape without re-shooting, and a mistake in the edit costs you nothing but the time to undo it.

It also means the app can tell you honestly what an export did — whether it re-encoded or copied the frames, at what size, and whether the frame was cropped to fit a vertical feed.

The editor on a phone

The Timeline tab of the editor: a video preview above the take’s waveform, a selected range on a timeline strip, and an audio section with the original audio switch and an Attach audio track button. — Trimming works against the waveform, so you can cut on a pause rather than guessing from the picture.

The editor in selecting mode, with the hint “Drag across the waveform to choose a stretch” beside the active Selecting button. — Drag across the waveform to pick a stretch and cut it — selecting is a mode, so a drag never fights the trim handles.

The Assist tab: a Remove pauses section reading six of six cuts on, removing 10.3 seconds, with All on and All off actions and a switch for each detected pause listed by timestamp and length. — Every proposed cut is listed with its timestamp and length, and each one can be refused. Nothing is removed without being shown first.

The Captions tab: a Burn in captions switch, a note that timings are estimated from the script, an Adjust timing button and an Export .srt button. — Captions are built from the script you read, and the app says plainly when the timings are estimated rather than measured.

The Look tab: filter presets named None, Clean, Warm Studio and Broadcast, two saved look slots, and an exposure slider. — Two saved look slots — enough to keep the desk and the kitchen consistent without turning grading into a job.

The Export tab: destination buttons for TikTok, Instagram, YouTube and LinkedIn, a line confirming the take fits the platform’s limit at 1080 by 1920, an explanation of when a plain trim avoids re-encoding, and an Export for TikTok button. — The app tells you before you export whether it will re-encode or copy the frames untouched, and why.

On-device person segmentation — no green screen. Blur the room or replace it with a colour or a photo, including broadcast green and blue for keying elsewhere. If the device cannot produce a clean matte the export finishes with the original background and tells you.

Editing on each platform

Feature	iOS	Android	Notes
Trim on a zoomable timeline	iOSAvailable	AndroidAvailable	—
Cut a selected stretch	iOSAvailable	AndroidAvailable	—
Remove pauses	iOSAvailable	AndroidAvailable	—
Merge takes	iOSAvailable	AndroidAvailable	—
Looks and colour	iOSAvailable	AndroidAvailable	—
Background blur and replacement	iOSAvailable	AndroidAvailable	—
Captions	iOSAvailable	AndroidWorks differently	iOS times captions from the speech in the recording. No Android API transcribes a recorded file with word timings, so Android times them from where you actually reached in the script when voice follow was on — and estimates otherwise. The editor tells you which of the two this take got.
Two-track audio with level lines	iOSAvailable	AndroidAvailable	—
No re-encoding when nothing needs it	iOSAvailable	AndroidAvailable	—